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Tuesday, November 13, 2012

Work Cited

Introduction. Shakespeare's Art: Seven Essays. Ed. Milton Crane. gelt: U of Chicago P, 1973.

Curthoys, Ann. "The Three Body Problem: women's lib and Chaos Theory." Hecate 17 (May 1991) 14-25.

Daly, Mary. "After the Death of God the Father." Womanspirit Rising. Ed. C.P. rescuer & J. Plaskow. San Francisco: Harper & Row, 1979. 53-62.

Danby, John F. "Antony and Cleopatra: A Shakespearean Adjustment." Twentieth atomic number 6 Interpretations of Antony and Cleopatra. Ed. Mark Rose. Englewood Cliffs, impertinently Jersey: Prentice-Hall, 1977. 52-65.

DiMatteo, Anthony. "'Antiqui Dicunt': Classical Aspects of the Witches in Macbeth." Notes and Queries 41 (March 1994) 44-8.

Donno, Elizabeth Story. "Some Aspects of Shakespeare's Holinshed." Huntington Library Quarterly 50 (1987) 229-248.

Eliade, Mircea. Cosmos and recital: The Myth of the Eternal Return. New York: Harper & Row, 1959.

Estes, Leland L. "Reginald Scot and His Discoverie of Witchcraft: faith and Science in the Opposition to European Witch Craze." church History 52 (1983) 444-456.

Ferris, Dianne. "Elizabeth I and Richard II: Portraits in 'Masculine' and 'Feminine' Princes. planetary Journal of Women's Studies 4 (1981) 10-18.

Fiedler, Leslie A. The Stranger in Shakespeare. New York: stein and Day, Publishers, 1973.

Fodor, Nandor.
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Freud, Jung and Occultism. New Hyde Park, N.Y.: University Books, 1971.

Frazer, James G. The Golden Bough. 1890; New York: Crown/Avenel, 1981.


Taboo: Some Points of Agreement amid the Mental Lives of Savages and Neurotics. Trans. James Strachey. New York: Norton, 1952.

Shakespeare, William. Comedies. Vol. 1 of The Annotated Shakespeare. 3 vols. Ed. A.L. Rowse. New York: Clarkson N. Potter/Crown, 1978.

Scot, Reginald. The Discoverie of Witchcraft. Ed. Hugh Ross Williamson. Carbondale: Southern Illinois UP, 1965.

Whitmont, E.C. Return of the Goddess. New York: Crossroad, 1984.


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