The story of the writer, attorney "Franz Kafka"

The story uses a savage situation to stool an allegory about the meaning of humans and about the relationship of the individual to the world in which he lives. That relationship is involved here as the ties to that world atomic number 18 broken. Gregor Samsa awakens to check that he has been changed into a huge vermin. The only amour he has with the world in which he lived the night onwards is with the family members who can be heard moving slightly the house and who react to Gregor's change in various ways. implicit in(p) this story is the sense that Gregor is being punished for some unstated crime and that the universe has taken this means of inflicting that punishment. As with accredited other Kafka heroes, Gregor looks to have no idea what crime he committed and in many ways does not seem surprised that he is being punished in transgress of that fact. Man's position in this world is always to be the transgressor against some higher power he or she never very knows or understands.

The structure of Metamorphosis is the structure of a dream, as is often true of Kafka's fiction, though here the dream resemblance is enhanced by the fact that Gregor awakens at the beginning as if from a dream and may indeed still be dreaming, though the dream and the reality are no interminable separable:

Waking and finding himself supernaturally, unmistakably, and disgustingly transforme

Luke here emphasizes not merely the story as a dream but those elements used by Kafka to create the sense of a dream or to make the ratifier think this might be a dream without unfeignedly being certain. Kafka displaces his attention from his own plight to his fiction, and here he is able to explore the themes that concern him in his life through the created world of his characters and through the fantastic situations in which they may find themselves, dreams come to life.

Ryan, Bryan. Major 20th-Century Writers: Volume 2. Detroit: Gale Research, 1993.

Whether dream-like or not, the story is seen by many critics as an allegory and so as embodying types and use characters as ideas, thus taking the story out of the solid ground of realism.

Ben-Ephraim refers to Kafka's modern allegories, of which this is one, and notes that meaning is hidden and revealed in the lam of the stories. Ben-Ephraim notes how consuming the image of the gigantic insect is, something Kafka also realized and so would not allow the book to be illustrated. In the course of the story, it is Gregor as a human losing his humanity that is most definitive:

d, Gregor shows concern only with the weather, his job, the train he has missed, and the best order of getting out of bed: in other words, he automatically displaces his attention on to inessentials, on to peripheral details of his situation, distributing and reducing his manifest emotion accordingly (Luke 33).

Luke, F.D. "The Metamorphosis." In Franz Kafka Today, ideal Flores and Homer Swander (eds.), 25-44. Madison: University of Wisconsin, 1958.

The giant insect, unacceptable to our sight, is also banished from our vision. confine to his quarters throughout his brief lifespan, Gregor's early disappearance and destruction appear inevitable from the story's beginning (Ben-Ephraim 452).

The story might be a dream, or it might be a exemplary representation of the way Gregor feels himself lost to his work, his family, and himself.
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