Issues about the Law on "Thelma & Louise" Film

Thus, women were no longer all dependent on men (husbands and fathers) for their livelihoods (Harman 79-81). further the law, which still remained hard in the hands of men, was one way for men to curb their continued control. There can be no incredulity that men apply historically controlled both the private and universe spheres. Men are the heads of households and the rulers of countries. Men are also financial leaders. Thus, it is the men of the bourgeoisie who have make and enforced the rules of straitlaced and good private and public behavior. Those rules have been codified into laws. But it is important to note that these laws have been do by those in power generally to keep themselves in power.

Thus, Shirley Wiegand argues that it is no hap that, in the film, Thelma is a housewife and Louise is a waitress. As a housewife, Thelma has been under the control of her husband Darryl in a procedure that has traditionally been blessed by men as an suppress one for women. To few extent, the same is true of Louise. Waitressing has come to be an acceptable working class job for women because it keeps them in the employment of domestic. Both women, however, are of the working class, a class that some scholars argue has traditionally been overlooked by feminists (Harman 80). In fact, incomplete the law nor the women's movement was designed to fav

The result is that men as a class have tailored and enforced the law to control women's power. Moreover, they have made women complicit in their own disempowerment, just as the bourgeoisie made workers complicit in their own alienation and disempowerment.

Workers participate in the capitalistic frame in the hopes of one day becoming capitalists themselves or, in desperate cases, simply to sustain themselves. In a connatural manner, middle class women have participated in a system of laws and rules created by men in the hopes of increasing their power inside that system. The film's explication of the problem, however, seems to suggest that women cannot become empowered within the system. Interestingly enough, however, Thelma and Louise trust on another more mythical yet no less male-dominated concept of power once they step out of doors the world of the law. They turn to the myth of the outlaw, the gunslinger, who lived by his own moral code in the unregulated Wild West.

Wiegand, Shirley. "Deception and subterfuge: Thelma, Louise, and the Legal Hermeneutic." Oklahoma City University Law Review , 22, 1 (1997): 25-49.

or or empower uneducated, working class women. Harman, for example, argues that the women's movemen
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