The Disciple and Lady Windermere\'s Fan

Appearance, to a higher place all else is what matters at the age end. Oscar Wilde makes commentaries on this aspect of blue(a) companionship in umteen of his works: sometimes subtly as in The disciple, sometimes outrageously as he does in noblewoman Windermeres Fan. The aesthetics of show moreovert joint be use to both, the physical dish aerial of a single mortal, and a assortment of societal smasher where society viewed ones conformity to its norms and how fountainhead one pushd to the community. \nIn the case of The adherent, Narcissus and the pool disregard be considered metaphors for Wildes notification to society or at the very least be a statement on how society and its socialites relate to one another. Narcissus would sit on the banks of the pool of water and attentiveness into it, reveling at his own aspect and beauty. When asked by the Oreads of his beauty, the pool totally questioned: was Narcissus beautiful? The pool questioned the legitimacy of his b eauty because she had never real gazed at him. She responds: \nBut I loved Narcissus because , as he lay on my banks and looked rarify at me, in the reverberate of his eyeball I aphorism ever my own beauty mirrored. (246)\nGiven the decadent nicety of the late Victorian aesthetes, it can be easy to unwrap how self involved either physically beautiful psyche may become. We see a perfect example of this in Oscar Wildes book, The Picture of Dorian Gray. It was all the adulation he received for his dashing and abnormal good looks that drove antagonist, Dorian to make the Faustian stipulation that allowed him to keep his youth but which ultimately lead to his demise. In anothers eyes lay not the beauty of that person but simply the assurance that through this person one may honour what they wish to see. Actual individuality, it would come out was rarely ever seen throughout English society at the time, let alone applauded. The Disciple tells a version of the Hellenic tale of Narcissus, but when demystified can...